The complex Metropolis

address: The port of Rijeka
Period: Secession/Art Noveau
Kind: Immovable material heritage
Century: 20
Year: 1906
Purpose: warehouse

The complex of five port warehouses, which are aligned in two rows along the coast in the far western part of the free customs area, was named Metropolis by the conservators because its theatrics and the apposition of overhead passages are reminiscent of the scenery of the famous science fiction film directed by Fritz Lang. The complex was built between 1909 and 1913 according to plans of the Hungarian engineers Wahler and Rolberitz. The warehouses were built by combining reinforced concrete structures with traditional materials such as bricks. The fact that the load-bearing capacity of the floors is 1,500 kg/m2 and of the ground floor 2,000 kg/m2 attests to the quality of the construction. In 1914, the decision was made to interconnect the warehouses and the task was assigned to Ignác Bereny and Béla Enyedi. Bereny decided to connect the warehouses in two parallel lines, while Enyedi was responsible for cross-linking structures between the warehouses which created the previously mentioned science fiction scenery. The decoration of the walls is based on bricks which frame the meshed-glass windows. The vertical component of the buildings is additionally emphasised by shallow pilasters that extend from the ground up to the attic, as well as by the embossed stylized balustrades placed between the windows, which seemingly connect the floors on a vertical axis. On the sea side, the façade is broken down by modern-looking terraced balconies that were also used for loading cargo on several floors by means of cranes.

Valorization:

The complex  Metropolis is one of the most representative and famous Rijeka port warehouses.  Warehouses are placed under conservation protection.

Bibliography:

Palinić, Nana, Izvješće o arhivskom istraživanju skladišta br. 40 i 41 na Senjskom pristaništu u Riječkoj luci, Konzervatorski elaborat br. 4794, Rijeka, Konzervatorski odjel u Rijeci, 2003.